FESTIVAL
COMEÇA SOB O SIGNO BERLUSCONI
Depois do vendaval das demissões políticas na Itália
direitista de Silvio Berlusconi, que atingiu também os
altos cargos da Bienal de Veneza, começou nesta quinta
o 59° Festival de Veneza que ninguém queria aceitar
dirigir depois da demissão de Alberto Barbera. Coube a
missão a Moritz de Hadeln, o ex do Festival de Berlim,
o que deverá significar mais atenção ao cinema
asiático, do leste europeu e, sobretudo, às produções
de Hollywood. Até 8 de setembro, sob a presidência
da atriz chinesa Gong Li, o júri de Veneza verá
os seguintes filmes para escolher qual deles fica com o seu prêmio
máximo Leão de Ouro, sem nenhum filme latino-americano
na seleção:
Frida
(foto), de Julie Taymor, com Salma Hayek, Alfred Molina, Geoffrey
Rush, Ashley Judd, Edward Norton, Antonio Banderas (EUA) - Filme
inaugural do festival.
Bear's
Kiss, de Sergej Bodrov, com Rebecka Liljeberg, Joachim
Król e Maurizio Donadoni (Alemanha/ França/ Espanha/
Itália/ Suécia).
Führer Ex, de Winfried
Bonengel, com Christian Blümel e Aaron Hildebrand (Alemanha)
Meili Shiguang (The Best of
Times), de Chang Tso-Chi, com Wing Fan, Gao Meng-Jie, Yu Wan-Mei
(Taiwan)
Un monde presque paisible,
de Michel Deville, com Simon Abkarian, Lubna Azabal e Clotilde
Courau (França)
Nackt
(Naked), de Doris Dörrie, com Heike Makatsch, Benno Fürmann
e Alexandra Maria Lara (Alemanha)
Dirty
Pretty Things, de Stephen Frears, com Audrey Tautou,
Chiwetel Ejiofor e Sergi Lopez (Reino Unido)
La
forza del passato, de Piergiorgio Gay, com Sergio Rubini,
Bruno Ganz, Sandra Ceccarelli (Itália)
Nha
Fala (La mia voce - My Voice), de Flora Gomes, com
Fatou N'Diaye, Jean-Christophe Dollé, Ângelo Torres
(Portugal, França, Luxemburgo)
The
Tracker, de Rolf de Heer, com David Gulpilil, Gary
Sweet, Damon Gameau (Austrália)
Far
From Heaven, de Todd Haynes, com Julianne Moore e Dennis
Quaid (EUA)
Julie
Walking Home, de Agnieszka Holland, com Miranda Otto,
Lothaire Bluteau, William Fichtner (Alemanha/ Canadá/ Polônia)
Dolls,
de Takeshi Kitano, com Miho Kanno, Hidetoshi Nishijima, Tatsuya
Mihashi (Japão)
Dom
Durakov (La maison de Fous), de Andrej Kontchalovski,
com Julia Vysotsky, Eugenj Mironov, Sultan Islamov (Rússia/
França)
L'homme
du train, de Patrice Leconte, com Jean Rochefort, Johnny
Hallyday (França)
Oasis,
de Lee Chang-Dong, com Sol Kyung-ku, Moon So-ri (Coréia)
Au
plus près du paradis, de Tonie Marshall, com
Catherine Deneuve, William Hurt, Bernard Lecoq, Hélène
Fillieres (França/ Espanha/ Canadá
Road
to Perdition, de Sam Mendes, com Tom Hanks, Paul Newman,
Jude Law, Jennifer Jason Leigh (EUA)
The
Magdalene Sisters, de Peter Mullan, com Geraldine McEwan,
Nora Jane Noon (Reino Unido)
Un
viaggio chiamato amore, de Michele Placido, com Laura
Morante, Stefa
no Accorsi, Alessandro Haber (Itália)
Velocità
massima, de Daniele Vicari, com Valerio Mastandrea,
Cristiano Morroni, Alessia Barela (Itália)
(29/08/2002)
Jornal da Mostra nº 136
LEON
CAKOFF, de Veneza, para o ‘Jornal
da Mostra’
Leia
mais no Jornal da Mostra >> Read
more at Jornal Mostra >>
|
VENEZA
2002
FESTIVAL
STARTS UNDER THE SIGN OF BERLUSCONI
After the whirlwind of political dismissals
at Silvio Berlusconi’s right-winged Italy, that
also reached the higher positions of the Venice Biennale,
the 59th International Venice Film Festival began
this Thursday, a festival no one wished to direct
after the dismissal of Alberto Barbera. The mission
was designated to Moritz de Hadeln, ex-Berlin Festival,
what might mean more attention towards Asian cinema,
Eastern Europe and, above all, Hollywood productions.
Till September 8th, under the presidency of Chinese
actress Gong Li, the Venice jury will be watching
the following films from which they’ll choose
the one that will receive the maximum prize, the Golden
Lion, there isn’t any Latin American film in
the selection:
Frida (picture),
by Julie Taymor, with Salma Hayek, Alfred Molina,
Geoffrey Rush,
Ashley Judd, Edward Norton, Antonio Banderas (USA)
- Opening film of the festival.
Bear's
Kiss, by Sergej Bodrov, with Rebecka Liljeberg,
Joachim Król and Maurizio Donadoni (Germany/
France/ Spain/ Italy/ Sweden)
Führer
Ex, by Winfried Bonengel, with Christian
Blümel and Aaron Hildebrand (Germany)
Meili
Shiguang (The Best of Times), by Chang
Tso-Chi, with Wing Fan, Gao Meng-Jie, Yu Wan-Mei (Taiwan)
Un
Monde Presque Paisible, by Michel Deville,
with Simon Abkarian, Lubna Azabal and Clotilde Courau
(France)
Nackt (Naked),
by Doris Dörrie, with Heike Makatsch, Benno Fürmann
and Alexandra Maria Lara (Germany)
Dirty Pretty Things,
by Stephen Frears, with Audrey Tautou, Chiwetel Ejiofor
and Sergi Lopez (United Kingdom)
La forza del passato,
by Piergiorgio Gay, with Sergio Rubini, Bruno Ganz,
Sandra Ceccarelli (Italy)
Nha Fala (La mia
voce - My Voice), by Flora Gomes, with Fatou N'Diaye,
Jean-Christophe Dollé, Ângelo Torres
(Portugal, France, Luxemburg)
The
Tracker, by Rolf de Heer, with David Gulpilil,
Gary Sweet, Damon Gameau (Australia)
Far
From Heaven, by Todd Haynes, with Julianne
Moore and Dennis Quaid (USA)
Julie
Walking Home, by Agnieszka Holland, with
Miranda Otto, Lothaire Bluteau, William Fichtner (Germany
/ Canada/ Poland)
Dolls,
by Takeshi Kitano, with Miho Kanno, Hidetoshi Nishijima,
Tatsuya Mihashi (Japan)
Dom
Durakov (La maison de fous), by Andrej
Kontchalovski, with Julia Vysotsky, Eugenj Mironov,
Sultan Islamov (Russia/ France)
L'homme
du train, by Patrice Leconte, with Jean
Rochefort, Johnny Hallyday (France)
Oasis,
by Lee Chang-Dong, with Sol Kyung-ku, Moon
So-ri (Korea)
Au
plus près du paradis, by Tonie Marshall,
with Catherine Deneuve, William Hurt, Bernard Lecoq,
Hélène Fillieres (France/ Spain/ Canada)
Road
to Perdition, by Sam Mendes, with Tom Hanks,
Paul Newman, Jude Law, Jennifer Jason Leigh (USA)
The
Magdalene Sisters, by Peter Mullan, with
Geraldine McEwan, Nora Jane Noon (United Kingdom)
Un
viaggio chiamato amore, by Michele Placido,
with Laura Morante, Stefa
no Accorsi, Alessandro Haber (Italy)
Velocità
massima, by Daniele Vicari, with Valerio
Mastandrea, Cristiano Morroni, Alessia Barela (Italy)
LEON CAKOFF, from Venice, for the ‘Jornal
da Mostra’
|
|
|
© Copyright Jornal da Mostra. Proibida a reprodução
total ou parcial dos artigos do 'Jornal da Mostra' em qualquer
meio ou suporte, sem a nossa prévia autorização.
Consultas e esclarecimentos através de jornaldamostra@mostra.org
|
|
